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1.
I hear that song about the wind in your hair Plays in the cabin it’s not freezing in there It says the sun is all you need to have left That keeps my head up as I struggle for breath I’ll be passing San Ysidro in a little time They can call it God’s country I can call it mine I keep my head down I’m a demon to some I hide my accent cause it shows where I come from I find a criminal who pays me to wear Out all my bones just keeping them in there I’ll be passing San Ysidro in a little time They can call it God’s country I can call it mine I’ll be passing Lampedusa it don’t matter where How can you call it God’s country then not want you there? Cause they don’t let you in They don’t let you in He says son don’t you know you’re not meant to be here And you got to go with it This here land of the free; not for you it’s for me Cause I can afford it I said who put the line there, made the money run out there Then blame us for trying? If it was the other way round you’d be leaving your town If your options were drying I hear that song about the wind in your hair It tells me nothing ‘bout the time that I spent there It’s just a chorus spat out by a hack They tease me with it as they’re sendin’ me back I’ll be passing San Ysidro in a little time They can’t call it God’s country I can’t call it mine I’ll be passing Lampedusa it don’t matter where How can you call it God’s country then not want you there? Cause they don’t let you in They don’t let you in
2.
You You say nothing more to me Pick up your bag and gave a shake to check your money and your key Turned on your heel and through the door Like I’ve seen you do so many times before You close that door real tight On me And I I got nothing more to do In about an hour or so my heels will make the same mistake as you In five days nothing much will change You’ll still have bills to clutch and everyone the same You close that door real tight Again And you can’t go out tonight To get drunk and dance and lie So you tell yourself it’s better in the long run In the long run And yeah It will be better alright But any money that I spend just seems to start another fight And every day’s like scrubbing dirt With living coming second place to work You close that door real tight It’s yours some more tonight Cause that’s the way it’s gonna be So try not to think of now It could get easier somehow It will be better soon Better in the long run But you can’t go out tonight You just get drunk instead and fight And that’s better somehow Better in the long run Cause you wake one day thinking When’s it gonna begin? I want something back for the years that I put in So where do we go tonight? To get drunk and dance and lie That that’s better some how Better in the long run So where do we go at all When you just can’t afford to fall? Gotta tell yourself it’s better in the long run Tell yourself that it’s better somehow Tell yourself that it’s better in the long run For the two of us For the both of us Did they get you to change? Did they get you to waste your precious time? Did they get you to save? For nothing but shelter at the end of your days In the long run They’ll get you in the long run In the long run They’ll get you in the long run
3.
Get Back Up 03:25
I woke up and saw the bride about a quarter past ten She was looking resplendent I was looking for a pen We were caught in a moment but that was way back when Because lately your smile seems so much harder to find And that look on your face never seems to unwind The mere mention of this and I’d find The receiving end I see you standing next to me But you’ve never seemed so low Why don’t you get back up Why don’t you get back up And I know I’ve got my share and that’s nothing to be proud There’s a time and a place I shouldn’t say this out loud But sometimes it’s simple; you gotta get back up And I know it’s neithers fault the situation we’re in But you claim for a loss before I even begin It’s so painful to see that your never gonna let me win I know you’re stood right next to me And I know that there’s a love But I can only hope when this settles down It’s still me that you’re thinking of Why don’t you get back up Why don’t you get back up Oh look at those blue eyes turning grey You’re giving me black eyes almost every day And threatening to way away Well on you go Or just get back up Get on over it Get back up Or get on out Get back up Get on over it Get back up Or you might as well just get out
4.
I don’t see your eyes anymore I used to see a window now I see a shutter door I’d love to catch a glimpse But it’s never like before And I don’t see Your eyes anymore I haven’t seen your face in quite a while That picture at my mother’s still greets me with a smile You say Why you got to break my heart? Well I drove Up to your favourite shrine I bought me some trinkets ‘Cause I liked them at the time And the man who took my money don’t believe And he keeps on pushing statues Cause he’s got that mouth to feed And you say Why you got to break my heart Why you got to break mine I haven’t heard your voice in quite some time Your words are still familiar cause they Taught me them in rhyme Told to me as statements Any question was declined So I haven’t heard your voice in quite some time Nowadays I sing a different tune But I’m worried of these words I’m worried of these words Because you might be in this room Saying Why you got to break my heart? Why you got to break my heart? Why you tearing this apart? Why you got to break mine?
5.
Starlet 03:40
So hard to tell If they want you dead or wish you well If they want you in this room you got to sell for sure So hard to say If you’re gonna wake up that way If you’re gonna wake us up and make a day in hell Lady God damn your soul I know that you took ‘em all And God knows they’ll be makin’ a saint of you soon Hard out to breathe When I know you’re itching to leave I ain’t leaving any stuff around lately With a woman like you Lady God damn your soul I know that you took ‘em all And God knows they’ll be makin’ a saint of you soon You found a love and you’re never gonna let it go Hard not to stare They lift your lids and you don’t even care They close the case and seal you up in there baby for good Now your names on a stone And I can’t get the press off the phone They wanna know about your latest hit babe and they won’t leave Me alone Lady God damn your soul I know that you took ‘em all And God knows I was makin’ a fool of you I know it was takin’ it’s toll on you And God knows they’ll be makin’ a saint of you soon
6.
You’re red Was it something I said? When I told you to stop filling mine With the mess that you find In your head You preach Who you trying to reach? With all this talk of space The look on my face says I’m no one to teach You think we can travel that far But you’ve only brought poison in the tank of your car If you go into the black You ain’t ever coming back Time It’s a wonderful thing If left to devise It makes matter with eyes And atoms that sing You think there’s no story to tell What if space is a desert and we live by the well? Well? You go into the black You aint ever coming back To a simpler time Where people had reasons that kept them that way But you say they don’t get what they gave I wish we could blow out the candle and step out of the cave But you’ve gone into the black And you ain’t ever coming back
7.
Don’t deny me I’ve an army And we’ll come for you in your sleep Is what you told me But I’d be weary Making promises you can’t keep I don’t know If the writings on the wall I don’t see Any letters there at all Sure we all want you to win But you remind us of what We are living in Don’t deny me I’ve an army And we’ll come for you where you sit Is what you mentioned Of your intention But your army may never exist How long can this go on How long can this go on I don’t know If the speech was worth the crowd When your kids put their coins right back in Does it make you feel proud? Are you sure that you wanted to win? Or carry your days without living in sin? Don’t deny me You’ve no army They must have all gone in
8.
Look at your eyes I’ve seen that look before But never in a while It makes me feel better To remember what it’s like To think about your love With no worry at all You hand me my coffee Say it’s just the way you like Suspicious at first But you’re right Maybe it’s a blessing Maybe this time we’ve gotten tired Tired of all the shit we’ve caused For nothing at all Josephine it’s mean to say I was glad you went away But now I want you back Josephine I didn’t mind ‘Cause it seems that you needed time But now I’ve got you back I’ll be weary But I’ll be kind Forget about language Forget about all those things I said If I could catch those words before they left I would Take them out of service Retire them from the line Cause we don’t need that anymore They meant nothing at all They meant nothing at all Josephine it’s mean to say I was glad you went away But now I want you back Josephine I didn’t mind ‘Cause it seems that you needed time But now I’ve got you back I’ll be weary But I’ll be kind I’ll be weary But I’ll be kind I’ll be weary So please be kind I’ll be weary But I’ll be kind
9.
Burning Man 04:43
To the night that looks like it’s wanting to play To the sip that took all my bad days away To the smile that makes me just want to go home I know you’re there so may I never feel alone, feel alone To the man at the back Who looked the wrong way at me I got five things in my hand That I want him to see To the night, the words they arrived out of tune You looked at me ad you knew that I’d emptied the room You leaned over and said babe I don’t think it’s your time Forget the room and get back to our bottle of wine But there’s a man at the back Who looked the wrong way at me And I’ve got five things in my hand That I need him to see Then and now I sit all alone, try not to pick up the phone Prepared with no answer to questions they no longer ask Sit mostly these days And try not to mention the haze Where words had no interest unless they were set To a blaze Some people love you And call you by name Others don’t listen Others want something to see Some people love you And call you by name Others don’t listen Others just want to see flames To the night That looks like it’s wanting to play
10.
Doubts 04:16
I told you I wanted to talk to you now You said: don’t believe what you say How did you think that those words would come out anyway? I mentioned I need to get out of this town You said that I’d just make a mess What good in sharing all of those things of yourself? Please Take this away from me Bury doubt somewhere else Please, please don’t let me beat up myself I don’t think it’s different for anyone here I think it’s just something we have A stop valve to keep from repeating mistakes of the past But how do you know where the line is to cross When you struggle to meet someone new? Any you can’t stop from studying the lines on their face For the signs that they’re doing the same thing to you Please Take this away from me Bury doubt somewhere else Please, please just leave me be Please, please take it from take it from Please, please don’t let this soul beat up its self

credits

released January 1, 2018

James Edwyn & The Borrowed Band are:

James Edwyn, Emma Joyce, Scott Keenan, Neil McDonald, Ross McLaughlin & Ronnie Gilmour

All Songs written by James Edwyn except Taking Liberties, written by James Edwyn & Scott Keenan

Arrangements by James Edwyn & The Borrowed Band

Horns arranged by Ronnie Gilmour

Produced by Ronnie Gilmour and James Edwyn & The Borrowed Band

Recorded by Jim Neilson, Ronnie Gilmour, Neil McDonald and Andreas Jönsson

Additional engineering by Ruaraidh Sanachan, Clark Neville, Chris Hattie and the HND Sound Production students of New College Lanarkshire

Mixed by Adrian Breakspear

Mastered by Paul McGeechan

Design by Chris Reilly

Photography by John Linton

Special thanks to:

Jean & Howie McDonald, Stephen Scott, Julia Gallagher, Paul Duncan, Christina Enright, Lee Powell, May & Ken Gilmour, Scott Davidson, Stuart McDonald, Tim King, Brian Paterson, Ewa Kolodziej, Joe Amato, Douglas Wright, Shaun Clarke, Kennethina Davidson, Tim Davidson, Jane Glen, Claire McLaughlin, David Rankin, Martin Loy, Jim Stirling, Eddie Rae, Mike Stevenson, Ross MacFadyen, Mike Ritchie, Joy Gardner, Skerryvore, Campbell Cameron, Iain Anderson, Paul Crowe, Michael Park, Lindsay Henderson, Dave Burnett, Emma Wilson, Paul Kerr, Roddy Hart, Shaun Freeman, Jamie Houston, Adrian Breakspear, Paul Gavienas, Soapy & Susan Soutar, Sandra Kay, Lisa Slipchuck & Margo Kerr.

Extra special thanks to:

Dizzy, Frank Bullen, Patrick Bullen, Hugh Lee, Isla McLaughlin, Kirsty McLaughlin, Paul McGeechan, Chris Reilly, John Linton, Adrian Breakspear, Andreas Jönsson, Jim Neilson & Stuart Coleman.

The band would also like to thank their families for their ongoing support and patience:

Citim, Claire, Karen, Laura, Connie, Sylvia, Ally, Arwen, Finn, Ruaridh and Rosa.

This Bandcamp upload is dedicated to the newest member of the JEATBB family, wee Nina x

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James Edwyn & The Borrowed Band Glasgow, UK

Glasgow sextet James Edwyn & the
Borrowed Band stumbled on to the
scene 2013, their formation the
result of a series of unlikely
coincidences... Their music is a mix
of alt-country, indie/folk rock and
roots orientated Americana.

They have released two critically acclaimed albums, THE TOWER (2014) and HIGH Fences (2018). They are currently working on a third studio album.
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